Channelling the metropolitan unease and vibrancy of São Paulo, director Marcelo Caetano's bracing drama centres on those who inhabit the outskirts of an perpetually shifting metropolis. Newly freed from juvenile prison, 18-year-old Wellington (João Pedro Mariano) finds himself at a crossroads; deserted by his parents, the wide-eyed young man finds solace in the arms of others.
On an late-night excursion with his rowdy group of LGBTQ+ and gender non-conforming friends, Wellington encounters Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler over double his age. Illuminated by the flickering glow of a XXX cinema, their first meeting is intimate and charged, with an hint of risk. Ronaldo promptly ushers Wellington to the clandestine realm of sex work and narcotics trafficking.
The director portrays Wellington’s new life of crime with gentle sympathy rather than as a melodramatic morality play. Now going by the name of Baby, he engages in his paid liaisons with swaggering confidence and poignant gullibility. To his customers, Wellington provides not just his youth and his body, but also moments of care.
In the hectic energy of São Paulo, overflowing with crowded backstreets and vibrant storefronts, there’s a gnawing loneliness, as rootless people hold fast to one another for fleeting joy.
"The streets are fraught with peril, yet they are also the space where they can discover chosen kin, too."
Ronaldo is both a lover and a guardian-like mentor to Wellington, but their bond is sabotaged by possessiveness and financial instability. Dangers posed by shady figures in the underworld pale in comparison to the anxiety about state surveillance and incarceration, symbolized by the constant sight of police officers in the area.
Baby is most powerful as a keen observation of the forgotten souls who have fallen through the cracks the social system. The film functions as a poignant exploration into survival, chosen family, and the pursuit of purpose within a demanding urban landscape.
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